{"id":100001078,"date":"2017-11-27T15:36:29","date_gmt":"2017-11-27T12:36:29","guid":{"rendered":"https:\/\/poesi.istanbul.edu.tr\/home-community\/"},"modified":"2023-04-07T14:54:39","modified_gmt":"2023-04-07T11:54:39","slug":"poesie-en-langue-des-signes","status":"publish","type":"page","link":"https:\/\/poesi.istanbul.edu.tr\/fr\/","title":{"rendered":"Po\u00e9sie en langue des signes"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;fadeIn&#8221; css=&#8221;.vc_custom_1644406743354{padding-bottom: 50px !important;}&#8221; bbvcedo_medium_css=&#8221;.vc_custom_1511970164776{padding-bottom: 30px !important;}&#8221;][vc_column][vc_row_inner content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1649771021268{margin-right: -30px !important;margin-left: -30px !important;padding-right: 0px !important;padding-left: 0px !important;background-image: url(https:\/\/poesi.istanbul.edu.tr\/wp-content\/uploads\/2022\/02\/strength-people-hands-success-meeting-1-scaled.jpg?id=9) !important;background-position: center;background-repeat: no-repeat !important;background-size: cover !important;}&#8221; x_largebbresponsive=&#8221;.bb_custom_1649771021275{height:400px!important;}&#8221;][vc_column_inner css=&#8221;.vc_custom_1645527189488{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_custom_heading text=&#8221;Po\u00e9sie en langue des signes&#8221; font_container=&#8221;tag:h2|font_size:48pt|text_align:center|line_height:48pt&#8221; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal&#8221; css=&#8221;.vc_custom_1671448130391{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.6) !important;*background-color: rgb(255,255,255) !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1652082370104{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_inner css=&#8221;.vc_custom_1652082321516{margin-top: 0px !important;padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_text]<\/p>\n<h3><b>Br\u00e8ve description de la po\u00e9sie en langue des signes<\/b><\/h3>\n<h4><span style=\"font-weight: 400;\">L&#8217;art de la performance, de la litt\u00e9rature et du mouvement, ainsi qu&#8217;art visuel, la po\u00e9sie en langue des signes est une forme d&#8217;art unique qui va bien au-del\u00e0 de la d\u00e9finition \u00e9troite de la litt\u00e9rature. (J. Chateauvert)<\/span><\/h4>\n<p>[\/vc_column_text][vc_column_text]\r\n    <div style=\"max-width:100%px;\">        \r\n    <video id=\"plyr69ee4b82937a3\" autoplay controls class=\"easy-video-player\">\r\n       <source src=\"https:\/\/poesi.istanbul.edu.tr\/wp-content\/uploads\/2023\/03\/SiirveIsaret-fr.mp4\" type=\"video\/mp4\" \/>\r\n    <\/video>\r\n    <\/div>    <script>\r\n        const evplayerplyr69ee4b82937a3 = new Plyr(document.getElementById('plyr69ee4b82937a3'));\r\n        evplayerplyr69ee4b82937a3.ratio = '16:9';\r\n        evplayerplyr69ee4b82937a3.iconUrl = 'https:\/\/poesi.istanbul.edu.tr\/wp-content\/plugins\/easy-video-player\/lib\/plyr.svg';\r\n        evplayerplyr69ee4b82937a3.blankVideo = 'https:\/\/poesi.istanbul.edu.tr\/wp-content\/plugins\/easy-video-player\/lib\/blank.mp4';  \r\n    <\/script><\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1645527830629{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_inner css=&#8221;.vc_custom_1645527189488{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_custom_heading text=&#8221;Dernier \u00e9v\u00e9nement en ligne&#8221; font_container=&#8221;tag:h2|font_size:2.8rem|text_align:center&#8221; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal&#8221; css=&#8221;.vc_custom_1671448244338{margin-top: 35px !important;margin-bottom: 30px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1645527830629{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1645527189488{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;100000849&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;100000850&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1657963750823{margin-top: 35px !important;padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_inner css=&#8221;.vc_custom_1645527189488{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_custom_heading text=&#8221;L&#8217;\u00e9quipe du projet&#8221; font_container=&#8221;tag:h2|font_size:2.8rem|text_align:center&#8221; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal&#8221; css=&#8221;.vc_custom_1678361124513{margin-bottom: 30px !important;}&#8221; bb_tab_container=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;100000144&#8243; img_size=&#8221;large&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1671448403980{margin-bottom: 30px !important;}&#8221;]<\/p>\n<p style=\"text-align: left;\"><b>Professeur Ekin \u00d6YKEN, Coordinateur du projet et instructeur de l&#8217;atelier (philologie classique, critique litt\u00e9raire)<br \/>\n<\/b><\/p>\n<p style=\"text-align: justify;\">Professeur \u00e0 l&#8217;universit\u00e9 d&#8217;Istanbul, au d\u00e9partement de langue et de litt\u00e9rature latines, Ekin \u00d6yken est sp\u00e9cialis\u00e9 dans l&#8217;histoire religieuse de la Rome antique, la pens\u00e9e musicale antique et la po\u00e9sie latine. Apr\u00e8s avoir termin\u00e9 sa th\u00e8se sur le ph\u00e9nom\u00e8ne de l&#8217;extase dans le contexte du culte romain de Bacchus en 2010, il s&#8217;est rendu au d\u00e9partement d&#8217;\u00e9tudes grecques et romaines anciennes de l&#8217;UC Berkeley pendant un an en 2013, \u00e0 l&#8217;invitation de Mark Griffith, pour effectuer des recherches sur le concept d&#8217;ethos dans la pens\u00e9e grecque li\u00e9 \u00e0 l&#8217;effet de la musique sur l&#8217;\u00e2me et le temp\u00e9rament. \u00d6yken, s&#8217;appr\u00eate \u00e0 publier en livre son \u00e9tude d\u00e9taill\u00e9e dans laquelle il compare la Gr\u00e8ce et Rome avec d&#8217;autres cultures classiques \u00e0 cet \u00e9gard. En 2017, il a \u00e9labor\u00e9 un num\u00e9ro sp\u00e9cial international sur &#8220;La musique et la soci\u00e9t\u00e9 dans les cultures classiques&#8221; en tant qu&#8217;\u00e9diteur invit\u00e9 du Journal de sociologie de l&#8217;universit\u00e9 d&#8217;Istanbul, et donne des conf\u00e9rences sur la pens\u00e9e musicale et la philologie aux universit\u00e9s Humboldt, Bordeaux, Berkeley et University College London. Il \u00e9galement analyse les traductions des classiques latins en turc et leur impact litt\u00e9raire et culturel. Son travail sur les traductions de Vergilius, co\u00e9crit avec \u00c7i\u011fdem D\u00fcr\u00fc\u015fken, a \u00e9t\u00e9 paru dans l&#8217;ouvrage Virgil and His Translators, publi\u00e9 par Oxford University Press en 2018. Son article &#8220;The Early Oblivion of the First Turkish Aeneid&#8221; a \u00e9t\u00e9 accept\u00e9 pour publication dans Classical Receptions Journal en 2022 et le chapitre de livre &#8220;Virgilian Centos from the Perspective of Intralingual Translation&#8221; a \u00e9galement \u00e9t\u00e9 choisi pour publication dans Routledge Handbook of Intralingual Translation en 2023.<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1671448440210{margin-bottom: 30px !important;}&#8221;]<\/p>\n<p style=\"text-align: right;\"><b>Levent BE\u015eKARDE\u015e (France), Consultant et formateur d&#8217;ateliers (Po\u00e9sie et Th\u00e9\u00e2tre)<br \/>\n<\/b><\/p>\n<p style=\"text-align: justify;\">N\u00e9 sourd \u00e0 Eski\u015fehir en 1949, Levent Be\u015fkarde\u015f, artiste de th\u00e9\u00e2tre muet, a \u00e9crit, mis en sc\u00e8ne et jou\u00e9 dans 3 pi\u00e8ces muettes \u00e0 Istanbul entre 1973-1981. Apr\u00e8s une tourn\u00e9e de mime-concert avec Esin Af\u015far, Be\u015fkarde\u015f rencontre l&#8217;International Visual Theatre (IVT), le th\u00e9\u00e2tre des sourds-muets, \u00e0 Paris en 1981, o\u00f9 il part voyager et \u00e9largir ses horizons artistiques, et s&#8217;installe \u00e0 Paris en rejoignant l&#8217;\u00e9quipe du th\u00e9\u00e2tre. Il participait \u00e0 de nombreux th\u00e9\u00e2tres en Europe et au Japon avec l&#8217;IVT. Artiste sourd, Levent Be\u015fkarde\u015f, qui fait partie de l'&#8221;International Visual Theatre&#8221;, a re\u00e7u de nombreux prix pour les documentaires qu&#8217;il a r\u00e9alis\u00e9s en plus de son jeu th\u00e9\u00e2tral. Refl\u00e9tant la richesse de la culture des malentendants au Festival international du film ind\u00e9pendant de Bruxelles, il a remport\u00e9 les prix du meilleur film documentaire en 2001, 2002, 2003 et 2005. &#8221; Les 7 p\u00e9ch\u00e9s capitaux &#8220;, dont il est le r\u00e9alisateur, a remport\u00e9 le grand prix du festival du cin\u00e9ma sourd d&#8217;Amsterdam en 2003, et en 2004, il a re\u00e7u le Prix des Mains d&#8217;Or du meilleur court m\u00e9trage par l&#8217;Acad\u00e9mie fran\u00e7aise de la langue des signes \u00e0 Paris. La po\u00e9sie occupe \u00e9galement une place importante dans la vie de l&#8217;artiste. Ses po\u00e8mes, qu&#8217;il \u00e9crit en dessinant des gestes sur le papier, ont \u00e9t\u00e9 expos\u00e9s dans de nombreuses villes europ\u00e9ennes, et depuis 2015, il r\u00e9alise des performances po\u00e9tiques avec l&#8217;artiste Aurore Corominas sous le titre &#8220;Po\u00e8mes du silence&#8221;.<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;100000462&#8243; img_size=&#8221;large&#8221;][\/vc_column_inner][\/vc_row_inner][vc_btn title=&#8221;PLUS&#8221; align=&#8221;center&#8221; link=&#8221;url:https%3A%2F%2Fpoesi.istanbul.edu.tr%2Ffr%2Fekip%2F|title:Ekip&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;fadeIn&#8221; css=&#8221;.vc_custom_1644406743354{padding-bottom: 50px !important;}&#8221; bbvcedo_medium_css=&#8221;.vc_custom_1511970164776{padding-bottom: 30px !important;}&#8221;][vc_column][vc_row_inner content_placement=&#8221;middle&#8221; 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