{"id":100001353,"date":"2017-11-27T15:36:29","date_gmt":"2017-11-27T12:36:29","guid":{"rendered":"https:\/\/poesi.istanbul.edu.tr\/home-community\/"},"modified":"2023-03-22T20:13:20","modified_gmt":"2023-03-22T17:13:20","slug":"home-community","status":"publish","type":"page","link":"https:\/\/poesi.istanbul.edu.tr\/en\/","title":{"rendered":"Sign Language Poetry"},"content":{"rendered":"

[vc_row css_animation=”fadeIn” css=”.vc_custom_1644406743354{padding-bottom: 50px !important;}” bbvcedo_medium_css=”.vc_custom_1511970164776{padding-bottom: 30px !important;}”][vc_column][vc_row_inner content_placement=”middle” css=”.vc_custom_1677138681838{margin-right: -30px !important;margin-left: -30px !important;padding-right: 0px !important;padding-left: 0px !important;background-image: url(https:\/\/poesi.istanbul.edu.tr\/wp-content\/uploads\/2022\/02\/strength-people-hands-success-meeting-1-scaled.jpg?id=9) !important;background-position: center;background-repeat: no-repeat !important;background-size: cover !important;}” x_largebbresponsive=”.bb_custom_1677138681839{height:400px!important;}”][vc_column_inner css=”.vc_custom_1645527189488{padding-right: 0px !important;padding-left: 0px !important;}”][vc_custom_heading text=”Sign Language Poetry” font_container=”tag:h2|font_size:48pt|text_align:center|line_height:48pt” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1679504669787{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.6) !important;*background-color: rgb(255,255,255) !important;}” bb_tab_container=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1652082370104{padding-right: 0px !important;padding-left: 0px !important;}”][vc_column_inner css=”.vc_custom_1652082321516{margin-top: 0px !important;padding-right: 0px !important;padding-left: 0px !important;}”][vc_column_text bb_tab_container=””]<\/p>\n

A short definition of the sign language poetry
\n<\/b><\/h3>\n

As a performing art, a literary art, an art of move- ment, and a visual art, sign language poetry constitutes an art form of its own that reaches far beyond simply the sphere of literature. (J. Chateauvert)
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Dr. Ekin \u00d6YKEN, Project Coordinator and Workshop Lecturer (Classical Philology, Literary Criticism)
\n<\/b><\/p>\n

Dr. Ekin \u00d6yken, assistant professor at the Latin Language and Literature Department of Istanbul University, specializes in the history of ancient Roman religion, ancient musical thought, and Latin poetry. Having completed in 2010 his doctoral dissertation on the phenomenon of religious ecstasy within the context of the Roman cult of Bacchus, upon the invitation of Prof. Mark Griffith in 2013, he worked for one year as a visiting researcher at the Ancient Greek and Roman Studies Department of UC Berkeley, and studied there the concept of musical ethos in ancient Greek thought, especially ideas on the effects of music on soul and character. Getting prepared to publish a monograph containing his detailed study on musical ethos, which compares in this regard Ancient Greece and Rome with other classical cultures, \u00d6yken has, as a guest editor of the IU Journal of Sociology in 2017, prepared an international special issue titled \u201cMusic and Society in Classical Cultures\u201d, and given lectures on musical thought and philology at the universities of Humboldt, Bordeaux, Berkeley and University College London. The researcher also focuses on the translations of Latin classics in Turkish and their literary and cultural receptions. A study on Virgil translations in Turkey that he co-authored with Prof. \u00c7i\u011fdem D\u00fcr\u00fc\u015fken was included in the Oxford University Press book Virgil and His Translators<\/em>, published in 2018. He recently published an article titled \u201cThe Early Oblivion of the First Turkish Aeneid\u201d in a special issue of the Classical Receptions Journal.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner width=”2\/3″][vc_column_text css=”.vc_custom_1679505096544{margin-bottom: 30px !important;}” bb_tab_container=””]<\/p>\n

Levent BE\u015eKARDE\u015e (France), Workshop Advisor and Lecturer (Poetry and Theatre)
\n<\/b><\/p>\n

Born as deaf in Eski\u015fehir in 1949, Levent Be\u015fkarde\u015f, a silent actor, wrote, directed and played in 3 silent dramas with his silent theatre company in Istanbul between 1973 and 1981. After taking a mime-concert tour with Esin Af\u015far, in order to visit the city and broaden his artistic horizon, Be\u015fkarde\u015f went to Paris in 1981. He met the International Visual Theatre (IVT), theatre of the deaf and dumb and started to work therein and settled in Paris. Together with IVT, he took part in many theatres in Europe and Japan. As a deaf actor and member of \u201cInternational Visual Theatre\u201d, Levent Be\u015fkarde\u015f, aside from acting in theatre, received a “great many” awards for documentaries he directed. Levent Be\u015fkarde\u015f won the \u201cBest Documentary Film\u201d Award in Brussels International Independent Film Festival, successively in 2001, 2002, 2003 and 2005 since he reflected \u201cthe richness of the hearing impaired culture\u201d. \u201c7 Temel G\u00fcnah\u201d (7 Deadly Sins) directed by him, received the Grand Prix award in Amsterdam Hearing Impaired Cinema Festival in 2003, and was also chosen as the best short-length film and won the Golden Hands prize by the French Sign Language Academy in Paris, in 2004. Poetry also plays a great role in the artist\u2019s life. Levent Be\u015fkarde\u015f is writing his poems by drawing movements on paper and exhibiting his poems in many cities of Europe. Since 2015, he has been taking part in poetry shows under the name of \u201cPoems of Silence\u201d, together with artist Aurore Corominas.<\/p>\n

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